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Until recently, Smith's archive was co-managed by Arcade, alongside the film historian J. Arcade attempted to preserve the apartment as Smith had transformed it – an elaborate stage set for his never-to-be-filmed epic Sinbad in a Rented World – as a museum dedicated to Jack Smith and his work. In 1989, New York performance artist Penny Arcade tried to salvage Smith's work from his apartment after his long bout with AIDS and subsequent death. In 1987, Smith was awarded an honorary Doctor of Humane Letters (L.H.D.) degree from Whittier College. In 2014 it was released as a limited-ledition vinyl picture disc by Semiotext(e). It was collected in 2013 in Schizo-Culture: The Event, The Book.
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In 1978, Sylvère Lotringer conducted a 13-page interview with Smith (with photos) in Columbia University's philosophy department publication of Semiotext(e). In 1962, he released The Beautiful Book, a collection of pictures of New York artists, that was re-published in facsimile by Granary Books in 2001.Īfter his last film, No President (1967), Smith created performance and experimental theatre work until his death on Septemfrom AIDS-related pneumonia. He also worked as a photographer and founded the Hyperbole Photographic Studio in New York. He played the lead in Andy Warhol's unfinished film Batman Dracula, Ken Jacobs's Blonde Cobra, and appeared in several theater productions by Robert Wilson. The rest of his productions consists mainly of short movies, many never screened in a cinema, but featured in performances and constantly re-edited to fit the stage needs (including Normal Love).Īpart from appearing in his own work, Smith worked as an actor.
Jack smith film movie#
Smith's next movie Normal Love was the only work in Smith's oeuvre with an almost conventional length (120 mins.), and featured multiple underground stars, including Mario Montez, Diane di Prima, Tiny Tim, Francis Francine, Beverly Grant, John Vaccaro, and others. Despite not being viewable, the movie gained some notoriety when footage was screened during Congressional hearings and right-wing politician Strom Thurmond mentioned it in anti-porn speeches. Copies of the movie were confiscated at the premiere and it was subsequently banned (technically, it still is to this day). However, authorities considered some scenes to be pornographic.
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The film is a satire of Hollywood B movies and tribute to actress Maria Montez, who starred in many such productions. The most famous of Smith's productions is Flaming Creatures (1963). Smith’s influence is obvious in the work of artists such as Cindy Sherman, Mike Kelley, Matthew Barney, Nan Goldin, John Waters, Derek Jarman, Guy Maddin and Ryan Trecartin.Smith was raised in Texas where he made his first film, Buzzards over Baghdad, in 1952. An actor for Andy Warhol, Ken Jacobs and Robert Wilson, Smith sought in his own filmmaking to create an aesthetic of delirium. Rejecting the conservative political climate of an America at war with Vietnam, the trends of Abstract Expressionism, the repression of queer expression and the abstention of the pornographic in high art, Jack Smith was one of the first proponents of the aesthetics which came to be known as 'camp' and 'trash', using no-budget means of production to create a visual cosmos heavily influenced by Hollywood kitsch and orientalism. Born in Ohio and arriving in New York in 1953, Jack Smith transformed the detritus of post-war downtown New York into filmic tableaux vivants of exotic glamour and polysexual fantasy. The films of Jack Smith (USA, 1932-1989), along with the artist’s complete body of work - including photographs, collages, drawings, slide shows, costumes, sculptures and props that were used in his performances - represent one of the most seminal and important oeuvres in twentieth century art. A legendary American artist, filmmaker and actor described by Andy Warhol as the only person he would ever copy and by John Waters as “the only true underground filmmaker”.